CoK)3a nHcarejieM CCCP H MHHHcrepcTBa KyjibTypw CCCP r^ V
Transkript
CoK)3a nHcarejieM CCCP H MHHHcrepcTBa KyjibTypw CCCP r^ V
r^ -OpraH CoK)3a nHcarejieM CCCP H MHHHcrepcTBa KyjibTypw CCCP HHBapb 1973 roAa V. B HOMepe •< n noprpeTbi MOJIOAUX OScyxflacM npoSjieMbi pe^KHCcypu TeaipajibHWH AHeSHHK TpHSyna Byaymee Hameft cueHbi M. UJeudKou. OTBercTBeHHOcTfa MOJIOAOCTH 3 4 AnacTacHa BaKJiaHosa * CseTJiaHa BoaAbipeBa * K);io BHJiUMaa * BaJieHTHHa FpOMOBa •* BjiaflHMHp JluceHKOB * Cepreii MyieHHKOB •* Ojifara OcrpoyMOBa * TeoprHii TapaTopKHH * BajiepHHbi: JIioSoBb KynaKOBa * MaprapHTa ilposflOBa * JlraxMUjia CeMeHHKa * 3HTa 3 p c * JIiofioBb FepmyHOBa 9 Hropb BjiaflHMHpoB * Cepreii /taHHCHKo •* A3ep6aft>KaH MaMfiexoB * FenHaflHil OnopKOB * Bojibflenap FlaHco * Anflpeii TIonoB * JICOHHA Xefiijieu, 35 T. nyiuHu,eea. BopoHexcKHe TpaflHUHH Jlana Fapon. CeroflHH y MapAJKanoBueB M. lUocTaK. i^epes nsiTb a e r 51 58 65 K. LU,ep6aKoe. «JIomaflb np»ieBa.nbCKoro» * B. CeMCHoacKuu. «KBaApaTypa Kpyra» * JX- PoMaduHoea. «noprH H Becc» * M. MeAKyjunn. T. HHKy.nHHa — COHH * t . EpodCKaH. O. Zfajib — JlBoiiHHKOB * E. FoptpyHKeAb. A. <I)peHHAJiHX — Ma^aM AjiHca * K. EepesuH. «CHfl» •* H. flAsiiiKoecKaa. «TejieHvKa c H6ji0KaMH» * A. JJeMudoe. «flBa aHCKAOTax 70 CJIOBO — ApaMaTypraM: OTHB HocejiHaHH * PaiiMOHa MaiuoT rianaHH •* FyHap n p n e n e 90 TejieBHACHHe E. FlyAbxpuTydoea. ripoSjieMbi pyccKOH miaccHqecKofi flpainaTyprHH M. BuuiHeecKaa. Kayrsep •* HOH Xl,pyU3 "* Apa- SaSbixas! K.naccnKa ' 95 O qem nanncaHa «JKeHiiTb6a»? 98 F a u n a H acHsub 113 ribeca Bepa Flanoea. 135 3 a pySeKOM K. CrapocBAbCKan. Mexbipe cneKraKjia BcirapcKoro C. FpumeHKO. HiajiHa: nojiHXHKa H l e a r p Ha cueHax MHpa ribeca HednAKo HopdaHoe. Monea. JInpHHecKaH KOMeana B flByx fleftcxBHHX. FlepeBOa c CojirapcKoro JIHAHH Bama CBaAb6a KaK CBaflbSa. Hbeca B a s y x aeiicTBHHX MOJiOAexHoro . . . . 153 159 165 170 Contents Portraits of the young Directing problems in discussion The Future of Our Scene The Responsibility of Youth. M. Shvydkoy 3 4 Anastasia Baklanova * Svetlana Boldyryeva * Youiio Vilimaa* Valentina Gromova * Vladimir Lysenkov * Sergey Moutchenikov * Oiga Ostroumova * Georgy Taratorkin "* Ballet-dancers: Lyoubov -Kounakova * Margaritta Drozdova'* Lyoudmila Semenyaka * Zita Ers * Lyoubov Gershounova • . . . . 9 Igor Vladimirov * Sergey Danchenko * Azerbaygean Mambetov * Gennady kov *Voldemar Panco •* Andey Popov •* Leonid Heiletz 3& Voronezh Traditions. T. Poutiritzeva Mardgeanov's School Today. Lana Garon Five Years Past. /. Shostak Theatre diary Tribune Opor- 51 58^ 65. . • «PrzhevaIsky's Horse». K- Scherbakov * «To Square the Circle». V. Semenovsky * «Porgy and Bess». D. Romadinova * G. Nikoulina — Sonya. M. Melkoumyan * O. Dahl — Dvoynikov. G. Brodskaya. A. Freindlich — Madam Alice. E. Gorfunkel*«Cid». K- Berezin * <iThe Apple Cart». A'. Plyatzkovskaya * «Tv/o Jokes». A. Demidov JQI Playwriles speaking: Otia loseliani * Raymond Caugver * Ion Droutze * Aramashot Papayan •* Gunar Priede 90 Television The Classics Forgotten. E. Poulkhritoudova 95. Problems of the Russian classical drama What is «The Marriage* About? /. Vishnevskaya 98. Footlights and Life II3. Play Wedding Like Wedding. Two acts. Vera Panova 135 Theatre abroad Four Plays By The Bulgarian Youth Theatre. K. Staroselskaya Italy: Politics and Theatre. 5. Grischenko Stages of the world 153I59165 Play Motor Bicycle. Lyrical comedy in two acts. Nedyalko lordanov. Translated the Bulgarian by Lidia Basha from 170) 4 OpraH CoK)3a nMcarejiefi CCCP M MMHHCTepcTBa KyjibTypw CCCP Qeepajib 1973 roAa ^T«a^i mn*^-'vs^1 w^^^^ --» ''«i*'W*?^-?^S*^" ^ * t ' P"-?;*' ii^ B HOMepe ribeca 06cy»cflaeM npo6jieMbi F. CpeduH. O Ao6flecxHx, o noABHxax 3 A. 3aK, H. Kyaneqoe. B AByx nacxHX 6 BeceHHHfl aeHb TpHAuaroro anpejiH... ApaMaTHMecKaa xpoHHKa H. CMOAUtiKaM. ByAHH BoeHHoro xeaxpa M. naBAOeui. TpH cesona B Cesacxonojie 33 42 /I. AABKcudse. FjiySoKHe KopHH P. KpeieToea. FIOHCKH esHHcxBa 52 58 O. ff3l06uHCKaH. «npH6jlH3HXbCH AO XOMHOCXH...» K. UlepOaKoe. BoccxanHe H yxoA A. HeMudoe. Op(J)eif B aay BuKTop KdAuiu. riecHH npo 6oiiu.a 68 ^' '^ 85 3 . FAysdepe. OnpaBAaHHe HejiorntiHocxn 90 BoAecAae 95 pexcHccypu CneKxaKJiH riojieMHKa POCTOHKUU. Bepneivicsi K ^aKxaM McxopHa MuHa CoAOBbeea. Saqen pe)KHCcepy 6biTb renHajibHUM 104 £ . FIoAHKoea.. BcxpeiH B HCKyccxae 121 K. KpueuUiKuu. Zlpyw6a, npoBepcHHan cxoJiexHCM Jlecb TaniOK. HpeeMCTBeHHOCTb aasexoB MocKOBCKHe npeMbepu * A. TuM0(pee8. O rex, KXO Bceraa Ha l a c a x * U. CocppoHoe. BcnOMHHaH AaJieKHe roAU... * E. FoprnKuna. HeAOBeK BO BpemeHH * A. AHUCUMOB. KaKHM 6yAeT Teaxp Ha TaranKe * npeMbepw JleHHnrpaAa * H. AAenceeB. AKxep, pe)KHCcep, yMHxeAb * P. AAbTuiyAep. ApxHcxu HxpaiOT c noAHpHHKaMii * XpoHHKa 123 125 KHHrH PaMna H x(H3Hb 3 a py6eat0M JOAUU KAeMOHOB. CoBBTCKHe 0({)Huepbi B rocxflx y raynxMana Ha cuenax MHpa Ilbeca PycraM H6paeuM6eKoe. 127 146 154 JKeHUiHHa sa seAenoft ABepbio. Obeca B xpex AeflcxBHSix 163 1 py^Ji ^ — — 06cy ^''^^^^^^' Bonpi peH^H Al<ii!r iiiid ^i{-vu[ fcals... C. Sredin Play April ,'i()ili. .Si)i jngliiiic... Play in two acl.s. By A. Zak, I. Tho v./ar(iiiie theatre day by day. A'. Smolilskiya Thii'C seysous in Sevastopol. M. Pavlovitch . . . . 33 i Direcliiig problems in discussion Deep rools. D. Aleksidze Ill search ol inlegrily. R. Productions "To eoiiie close to e.xaefness...". O. Dzyubinskaya 1^1)1 isin<j ami retreat. K. Scherbakov Orpheus in Ihe Inferno, A. Demidov . . . . Kreicheiova .S<jn^s n'.iiiiii the s o l d i r . Victor Defeiidiiit; Ihe i l l o g i c a l . Z. 51' 58: 68' 71, 77 85: 90 Kalisli Glusberg D'ibpule l.i I's look i)ail> [or Ihe larl.s... Boleslav iiislory Why tlir ilirii (or lias (o IK- a man of genius. /. Books I lie\ luel in \\:v :iit. /:'. Polyaitova ! i u i'i(lslii|) ])ri)\eil liy a eeiiliiry. A'. Krivilsky Belk'sts miiaiii aiiolu'ri'ii lo. I.es Tanyouk I i)<>iii<>lils and Life Kouzneisov Ruslotsky 95 Solovyova 104; 12B 123' 126i ^i m o l l i s in Alosl.ow * W h o s e , wl'.o a i c a l w a y s o n g u a r d . A. Timofeew. * Hei-olleeling i h e y o a i s loiij^ past,,, P. Sofronow. * T h e m a n a n d t h e t i m e . E. Go- rijaichkiua. ' Wlial will be Ihe Theatre on Taganka. A. Anisiniov. * First nights )!i l.cMiiii^'i ad ' Aelor, direclor, teacher, N. Alekscew. * Chess: actors vf polar men Abroad l-i. Allxhnler. I laiipiiiiani, lio^; ' Diary ul ,Soviei • . offii'eis, 1', Klcmaiioo 127: 14l .Stages of the world Play . 154: I III' "OMi.iii Behind a (jieeii Door, Play in lliroe aef.s. By Roustam Ibragimbekoo 163"; H< >K He >K H€ >Ki He 'leNoiieKHii nojiiupa())M'iocKiiH KOMGimar «Coio3noJinrpa iipoMa» iipH FocyAapcTBCHHOM KOMiixexe Cosexa MHHH-: erpoB CCCP no AOJiaM HSAaxcAbcxB, noAiirpa(j)HH H| Kiiii>i<noH ToproB.nii, r. Mcxon, MOCKOBCKOH o6AacTH. •; CAaiio B uaGop 25/Xl 1972 r, FlOAiiiicaHO n ne^aTtJ 0/1 197.1 r. AOUai TripaJK 20 000 s o , <topMax 84X ' XI08'/ir, OC'beM 12,25 n,ji. YCA. A. 20,58 y-i.-HSA- Ji-22."' 3aKa3 2305 ( > 1; OpraH Coiosa nHcarejiefl CCCP H MHHHCTepcTBa KyjibTypbi CCCP MapT 1973 roAa B HOMepe OficywAacM npoCJieMbi pexHccypbi FAeO /3,po3AOB * HKOB KHpxHep * BacHAHfl KHceAes * Po6epx CeAJieuKHii * Cepreii CMCHH 10. HuMurpuH. B noHCKax xeaxpaAbHocxH E. XoAodoB. OcxpoBCKHii npoflo.njKaexca TeaxpajibKbifl AHeSHHK E. ILlaMOBUH. ,«noeAHHOK BeKa» * 0. Paduinesa. «C AKDCHMUMH He paccxasaiixecb*''' E. TyAUHUiBB. «Lfapb OcAop HoaHHOBHM» * B. EsepcKan. BosBbimcHHoe H seMHoe * dAbHUH. «AiiAUH» * M. lUebidKou. «A.iHca B Cxpane «iyAec» * H. Tapiuuc. «3xox MHjiuii cxapuii AOM» I Tlbeca KaATau MyxaMedxaHoe. TaK wne H aaAo! KoiaeAHH B AByx AeiicxBHHX, mecxH KaptHHax, ABxopH30BaHHbiii nepesoA c KasaxcKoro AHApeH KyiaeBa ' Scxpafta 3. BAaduMupoBa. O cxapHHHOM poinaHce riopxpeTbi C, CauToa. B K 100-AexHH) CO AHfl pOXAeHHSI HpaKAUu AndpoHHUKOB. Ta.Tanx Ula.HHnHHa Ha apxHsa UlaAflnHHa * . H. UlaAsinHHa (ppaHTumeK KySKO. MacKn IHajianHHa IC BocnoMHHauHn O. M. Fibixoea. 11 cxpane Aviry..ib HpHaBaHHe t £ 9 KHHrH H. FopeHKOBa, A. Auaendepe. 3a HeJioBCKa! Kupa Kanaeea. «Cjiy>KeHbe Mys He xepnirx cyexbi,,,» K). Mupea. B npouecce nepecMoxpa 12 13 13' MocKOBCKHe npeMbepw * Teaxpy Moccosexa — 50 * B EepesKUH. 3cKH3bi 71-72 * Penepxyap xeaxpoB B 1971 roAy * XpoHHKa . . . . ; 13f 3 a pyfiexcoM 3. BouHOBU. Ha 3AHH6yprcKOM (|)ecxHBaAe H BOKpyr E. FputuuHa. HcKyccxBO Ernnxa I5E 164 ribeca AypeA Eapama. 05m,ecrBeHHoe vnieHHe. Hbeca B AByx Macxsx. ITepeBOA c pyMHHCKoro E. AaepHHKOBOH 171 PaMna H KHSHb Contents Directing problems in discussion Theatre diary Play Gleb Drozdov * Yakov Sweyan Kirzhner * Vastly Kiselyov * Robert Sedletsky * Sergei 3 In search of theatricality. Y. Dlmitrin Ostrovsky continued. E. Kholodov 14 21 „Duel of the century". E. Shamovich * „Don't part with your beloved". O. Radischeva * „Tsar Feodor loanovich". B. Tulintzev * Inspired and earthey. B. Yezerskaya * „Aidyn". Elchin * „Alice in Wonderland". M. Shvydkoi * „This lovely old house". A'. Tarshis : : 30, It serves me right! Comedy in two acts, six scenes. Kaltai Muchamedgeanov. Authorized translation from the Kazakh by Andrei Kuchaev 49 About old romances. 75 Variety show V. Z. Vladimirova Portraits In Aigul's land. 5. Saitov 84 Shalyapin's talent. Irakly Andronikov From Shalyapin's archives 94 99 Jttemoirs Shalyapin's masks. Frantishek Kubka 108 Books The calling. 0. /. Pyzhova HO For Shalyapin's centenary ' For The Man! N. Gorenkova, A. Aisenberg «No fuss withstood when arts are served*. Kira Kanaeva In the process of reconsidering. Y. Chirva First nights in Moscow * Fifty years of the Mossoviet Theatre * Sketches of 71-72. V. Beryezkin * Theatres' repertory in 1971 * Diary 136 Abroad Around Edinburg Festival. Z. Voinova Arts of Egypt. E. Grishina 155 164 Play Public opinion. Aurel Baranga. Translated Footlights and life from the Roumanian by E. Azernikova 129 132 134 171 OpraH CoK)3a nHcaiejieM CCCP M MHHHCTepcTBa KyjibTypbi CCCP Anpejib 1973 roAa ^pps^K^^?^* ^ * l i ^nmfitmmtmmilm^tm B HOMepe K 150-jieTHio H. BuuMeacKan. noHCMy OcxpoBCKHii — BeAHKHii apaMarypr CO Ana pojKAeHHn A . H. OcTpoBCKoro OCXpOBCKHfi B MOeH HCH3HH OcTpOBCKHii B MOeH }KH3HH OcrpoBCKHJi B MOeH 3KH3HH TearpaAbHbifi AHeBHHK MnxaHA IJ,apeB * MapHH Ba6aH0Ba * AAeKceft rpH6oB * AAeKcaHAp FpHropsiH * KDpHii fleMHi * MnxaHA XapoB * KDpHii BaBaACKHii * MnKOAa SapyftHuft •* BAaflHMHp HBaHOB * K)pm KaiopoB * EBreHHH KosbipeBa * BaKen KwAUKeeBa 10 E. nyAbxpurydoea. Heo6uiiHocTb npHBwiHoro BAaduMup CoAOSbee. JlsHKCHHe HCKyccxBa 22 37 AAeKcaHAp JIaaapeB * PHMMa ManyKOBCKaH * Anflpefi MaxBeeB * BaAeHXHHa HHKHXHHa •* HHKOAaii riAoxHHKOB * JIHAHH PwenKaH * HHKOAaii PUXOB * Anna TapacoBa 47 Ha cueHax OpaxcKHx pecnyfiAHK E. PuKUTUHa. CAOBO—TeaxpaAbHUM xyAoxHHKaM 56 61 IlIyKyp BypxaHOB * Apxyp XaiiKHH •* BopHc ^HpKOB * Jles UterAOB * fOpnii 5IKOBAeB * MHxaHA JIHIUHH 67 E. XoAodoe. OcxpoBCKHH npoAOAwaexcH 77 AnaTOAuH AAbTuyAep. «rpo3a» * M. PoaaHeecKuU. «nyqHHa» "* A. CaxaAryee. «BoAKH H OBUH» * K). Ba6uHe8a. «BecnpHflaHHHua» * A. FIopaaTOe. «BeHHocxb ne nopoK» '• MoAMfa KOH. «rpo3a» . ' 86 M. Ceeraeea. «06 aKxepax no CeqenoBy* — roA 1886-ft 97 CoUHOAOrHH MOCKOBCKOfi nyfiAHKH 101 B. MacAux. lUeAHKOBO 103 3a py6e»0M JI. CoAHiteea. Co(})Hfl—BeArpafl K. 0UAOHoea. MioaxeH — MHKaro Jl. Jleeuna. TerepaH — VAaH-Baxop 112 119 123 Ha cuenax MHpa r. Kopo6HuHCKu(l. riepBbifl nepeBOA «rpo3bi> B «PyMUHHH * H. XoAMoaopoea. «rpo3a» Ha onepHofi cuene *• f. lUepduHa. «Jlec» B OoAbKcCiOHe "* JI. FureAbMoH. «JIec» B napHKCKOM «AxeAbe» * 5. MaKapoaa. BoArapcKHfi xeaxp B KneBe * E. Mapnoaa. MapceAK) Mapco — 50 Aex * E. Fpuumna. HHAHiiCKHe xaHUopM B MocKse . 125 llbecbl FeHuaduu BoKapee. CxaAeBapbi. Hbeca B AByx qacxax Andped MaKaenOK. TafiAexKy noA H3UK. KoMCAHfl-penopxax 138 169 Contents Ostrovsky's 150th birthday What makes Ostrovsky a great dramatist. /. Vishnevskaya Ostrovsky in my life Mikhail Tsarev * Maria Babanova •* Alexei Gribov * Alexander Grigorian * Yuri Demich * Mikhail Zharov •* Yuri Zavadsky * Mikola Zaroudny * Vladimir Ivanov * Yuri Kayurov * Evgenia Kozyreva * Baken Kydykeeva . . . . 10 The novelty of the conventional. E. Poulkhritoudova The movement of art. Vladimir Solovyov 22 37 Alexander Lazarev •* Rimma Manoukovskaya •* Andrei Matveev * Valentina Nikitina * Nikolai Plotnikov * Lidia Rzhetskaya * Nikolai Ryzhov * Alia Tarasova 47 In the fraternal republics Theatre artists speaking. E. Rakitina 56 61 Ostrovsky in my life Ostrovsky in my life Theatre diary 3- Shukur Bourkhanov * Artur Khaikin * Boris Chirkov * Lev Shcheglov * Yuri Yukovlev * Mikhail Yanshin 67 Ostrovsky continued. 77 E. Kholodov "The Storm". Anaioly Altshuler * "Abyss". * M. Rogachevsky * "Wolves and Sheep". A. Sakhaltouev * "A Bride Without Dowry". Y. Babicheva * "Powerty Is No Crime". A. Porvatov * "Tne Storm". Militza Kon "About actors according to Sechenov" — 1886... M. Svetayeva The sociology of the Moscow public Shchelykovo. V. Maslikh . . . 8697 101 103 Abroad Sofia — Belgrade. L. Solntseva Munich — Chicago. K. Filonova Teheran — Ulan Bator. L. Levina 112 119 123 On world stages The first translation of "The Storm" in Rumania. G. Korobchinsky * "The Storm" on the opera stage. /. Kholniogorova *"Forest" at Vollcsbiihne. G. Shcherbina * "Forest" at the Paris Theatre de I'Atelier. L. Gitelman * Bulgarian theatre at Kiev. E. Makarova *Marcel Marceaus 50th birthday. E. Markova* Indian dancers at Moscow. E. Grishina 125 Steelworkers. Play in two parts. Gennady Bokarev A Pill under the Tongue. A comical reporting. Andrei Makayenok 138 169. Plays . . . . ; ?' (•,,)'Ai^"-\.:\ l.lu:\J\ i^m M mvmiTf OpraH Coiosa nHcaiejieft CCCP H MHHHCTepcTBa Kyjibxypbi CCCP --"* / *y, - » iC'l.' r/-r"** v/ \ !'%»?»: Maw 1973 roAa B HOMepe K MOCKOBCKOMy KOHrpeccy MHT M. Kapea. HcKyccxBo, oe^eAHHSfiomee AiOAeii Ha Bonpocu wypnaAa «Teaxp» oxBeqaex npesHAeHx Me>KAyHapoAHoro xeaxpa Pady BeAuean MejKAyHapoAHHii HHcxHxyx xeaxpa 3 HHcxHxyxa 5 7 CneKxaKAH F. KooKyxoaa. ReAOBeK leAOseKy MHHOKeHTuu Flonoe. Ho saMUCAy FAHHICH '• '7 06cy>KAaeM npo6AeMbi pexHccypu HuHa BeAexoaa. 23 3 a py6e%0M HaTSAAa EamundoicaesiH, EoAecAae PocTOu,Kuil. Hpo^HAH noAbCKoii pexHCcypu A. Cao6oduH. BepAHHCKaa MosaHKa H. MeeuH. ByAanemx B pasrap ceaona H. AABKceea. SaMexKH aKxepa H. KoaaAee. AnrAHflcKHH «4)PHHA>K» pasABHraex rpaHHUw riojieMHKa A. HeuepoacKuu. BocnoMHHaHHa O. H. FlbiMoea. npHasaHHe '03 PaMna H KHSHb MocKOBCKHe npeMbepw * AAAa KoHCxanxKHOBna TapacoBa * HapoAHbie apxHcxu CCCP * JI. EyAzax. MaxepHHCKHe cepAUa •* F. EaKuesuH. «BpecxcKasi Kpenocxb» B yOO-flpaa * JIaypeaxbi FocyAapcxBenHbix npeMHfi P C O C P 1972, roAa B OSABCXH xeaxpaAbHoro HCKyccxsa * PaHHHii nepnoA pyccKoro xeaxpa * H. FUepeMeTbeacKan. HcKyccxBo xaHua Ha KOHbKax * E. FIoAeoKaeaa. FAaBHan xeMa * MapHH OcHnoBHe KneCeAfa 75 Aex •* HpeMbepw JleHHHrpaAa * FI. XOMCKUH. Ceprero BAaAHMHpoBHiiy MHxaAKOBy 60 Aex * XpoHHKa 117 <J)oxo9xiOAbi BepH HexpycoBoft 135 MauH FanuHU. TpexbS Bcxpeqa. JlpaMa B AByx AeflcxBHHX BuKTop PoaoB. CnxyauHH. KoMeAHH B AByx AeftcxBHHX 143 170 ribecu Hcqesajouiee npocxpancxBO . «KpacHBbie n03bi» 41 55 70 79 86 °5 Contents To the Moscow Congress of I. T. J. Art that unites people. M. Tsarev Radu Beligan, President of the International Theatre Institute answers "Teatr" magazine's questions The International Theatre Institute Productions Man to man... G. Kozhoukhova According to Glinka's conception. Innokenty Popov Directing problems in discussion Vanishing space. Nina Velekhova Abroad Profiles of Polish stage-directing. Natella Bashindzhagyan, Berlin mosaic. A. Svobodin Budapest at the peak of the season. N. Zhegin Notes of a player. A'. Alekseev English "fringe" extends its bounds. /. Kovalev Dispute "Beautiful poses". A. Nemerovsky Memoirs The calling. 0. /. Pyzhova Footlights and life First nights in Moscow * Alia Konstantinovna Tarasova I* Mothers' hearts. L. Boulgak * "Brest Fortress" for the 700th time. C. Bakievich * Winners of 1972 RSFSR State prizes in the field of the theatre * Early period in Russian theatre * The art of ice dancing, N. Sheremetyevskaya *The main theme, E. Polezhaeva * Maria Osipovna Knebel — 75* First nights in Leningrad * Sergei Mikhalkov — 60, P. Khomsky * Diary Boleslav Rostotsky 4 fa 7 7 8 9 10 Photo etudes by Vera Petrousova I el The Third Encounter. Drama in 2 acts. Maya Ganina A Situation. Comedy in 2 acts. Victor Rozov H' 17* i Plays Caano B Ha6op 26/11 1973 r. FloanHcaHO B nciaxb 10/IV 1973 i* A0I753 THpa>K 20 000 3K3. (PopMax 84X1087,6. 06i.eM 12 ne<!. " ycji. 20,17. y>i.-H3fl. JI, 22,00, 3ai<a3 336 HexoBCKHfl no.nHrpaiiJHiecKHi! KOMfiHHaT Coi03no.nHrpa(t)npoM'i npH TocyflapcTBeHHOM KOKCHxere CoBera MHHHCTPOB CCCP no aeJiaM H3«aTe,nbCTB, nojiHrpacjjHH H KHHSKHOS ToproBJiHr. MexoB. MocKOBCKoii o6jiacTn. t • 4 r HlOHb OpraH 1973 roAa CoK)3a nHcarejiefl CCCP H MHHHCTepcTBa Kyjibiypu CCCP •/x, .^.i- M fv-i 'y^i^^ r<hr, '-if'. ,r*Vj •?L«5^ •nfe*\j •V/i =4,««»s^*S^fe:d•<««r«WT«» B HOMepe OecysiAaeM npoSAeMbi peKHccypbi H. ToAHenoaa. Hpocxoxa. BeAnqne. MyscxBo CAOBO pewHccepaM: BAaAHMHp AnApeeB * COAOMOH KaaHMHpoBCKHft * AAeKcaHAp FpHPopHH * AAb(|)peA HynyiiiaH * AraKHuiH KHSHMOB •* Spram Maca(j)aeB * BABAHMHp 5IcHoropoACKHii * Oxap XfjKaHrHmepaiiiBHAH 12 B. BuTioK. H. MeauH. 26 32 JlexHHe racxpoAH OecxHBaAb B MoAAaBHH 3 CneKTHKAH F. A. 0. H. lOpbeea. «Me}KAy He6oM H aeMAefi...* BucAOB. H penopxajK H KOMCAHH MsmduHCKan. Atom H BpeMH Ceaedu. HyxH Ao6pa H SAB 40 46 51 57 riopxpexbi A. TypKoa. C BeceAUM 6ecnoKOHCXBOM B rAaaax 63 BocnoMHHaHHfl 0. M. nbixoaa. HpHSBaHHe HaxoAKH. McAoqH. HOAPOCHOCXH 69 81 PaMna H XHSHb MOCKOBCKHC npeMbepu •* HapoAHbie apxHcxbi CCCP * HMenn A. JX. Honosa * Beqep naMHXH Bpexxa * O. 3apuHa. TparHK namero seKa "• T. nyTum^eaa. OoxoAexonncb coBexcKoro xeaxpa * E. BuraAbea. VKpaHHCKag BHcxaBKa B MOCKBC * K)Mop. ^ x o ecxb KpHXHKa? TeaxpaAbHaa sxHMOAorHfl *lHHK0AaH KoHcxaHXHHOBHq CHMOHOFI * MoK. CaipapoB. KajKAasj Bcxpena — npasAHHK "* H. PydoacKuH. McnaascKaH KOMCAHJi B ToCoAbCKe * XpoHHKa 88 <l>eAbeTOH Han FaiiAex 107 3 a pySewoM 9. MaKapoaa. BoArapHH. <I>ecxHBaAb cosexcKoii nbecbi Mancpped Heccua. JXnn cpsexcKoro xeaxpaAfaHoro HCKyccxBa B FJtP EpyHo FpuBKO. HpeoAOAeH AH KpHSHC? Ha cuenax MHpa B. KAIOBB. HpoxHB aHapxH3Ma * C. KaycpMaH. BoAbiuoft 6aAex B KanaAe * A. EaprouiBBUH. «PH')apA III» MaH4)peAa BeKBepxa * T. KyAaKoacKan. «3ajKrHxe 3BeaAbi!» * M. UlaudKou. BoaspameHHe XfjKoaH JlnxxAByA * E. Fpuuiuna. OecxHsaAb CxpaBHHCKOrO 131 ribecbi MuKoAa 3apydHbiu. PaaAexaroxcH aieAxue AHCXbH. JlnpHHecKaa KOMBAHH B AByx AeiicxBHax. ABXopHaoBaHHbiiJ nepeBOA c yKpaHHCKoro BnKxopa FoHiapa . . . . AnaTOAUu CotppoHoe. Taftna capKOcJiara. CoBpeMeHHan Hcxopna B AByx qacxHX . . PERIODICAl HEADING HOOfw \ BUTIFR LIBRARY 110 117 125 145 171 Contents Directing Problems in Discussion Simplicity. Grandeur. Emotion. N. Tolchenova Stage directors speaking: Vladimir Andreyev * Solomon Kazimirovsky •* Alexander Grigoryan •* Alfred Yaunushan * Agakishi Kyazimov "* Ergash Masafayev * Vladimir Yasnogorodsky * Otar Dzhangisherashvili Summer tours. V. Vityuk . . . , A Festival in Moldavia. N. Zhegin '2^ 26 32 «Between the earth and the" sky...» G. Yuryeva Both reporting and comedy. A. Vislov People and time. 0. Dzyubinskaya 4046 51 The roads of good and evil. /. Segedi 57 With merry excitement in the eyes. A. Turkov 63^ The calling. O. 1. Pyzhova 69 Findings. Trifles. Details First nights in Moscow * People's Artists of the USSR * Named after A. D. Popov * Tribute to Brecht * Our century's tragedian. O. Zarina * Photoannals of the Soviet theatre. T. Putintseva * Ukrainian exhibition in Moscow. B. Vitalyev * Humour. What is criticism? •* Nikolai Konstantinovich Simonov Moldavian comedy in Tobolsk. /. Rudovsky * Diary 81 Feuilleton Sir Hamlet 107 Abroad Bulgaria. A festival of Soviet plays. E. Makarova Soviet theatre days in the G.D.R. Manfred Nossig Is the crisis over? Bruno Grieco 111 iir 125 On world stages Against anarchism. V. Klyuev * The Bolshoi Ballet in Canada. S. Kaufman * Manfred Wekwerth's "Richard III". A Bartoshevich * Joan Littlewood's return, M. Shvydkoi * The Stravinsky Festival. E. Grishina 131 Yellow Leaves Disperse. Mikola Zarudny. Lyrical comedy in two acts. Authorized translation from the Ukrainian by Viktor Qonchar The Sarcophagus Mystery. Anatoly Sofronov. Modern story in two parts 145> 171 Productions 3- Portraits Memoirs Footlights and life Plays HsflaieflbCTBO «HcKyccTBO>, 1973 r. 88